June 12th 2008

Miss Eileen O'Rourke 

It is my great pleasure to introduce to you an artist with multiple talents, in this brand new series of interviews in which you can meet contemporary artists. Eileen O'Rourke was born in 1973, is a painter, a photographer and a film-maker; she's currently living in Manchester. There, she's starting a MA in Fine Arts to focus on film-making. She has agreed to answer my questions in order to share her passion for Art with a wider audience, here in France. But no more waiting, let's welcome Miss Eileen O'Rourke :

Can you tell us how and when you started to draw or paint ?

It was said I was drawing before I could talk properly…I suppose it was my language, (maybe something to do with being dyslexic) maybe it's just how my brain was formed. Maybe it was genetics.as my father was also an artist…

And what or who motivated you enough to make it your main activity?

I believe whole heartedly that it was my father,my memories of him was of drawing…sitting on his knee as he explained how to draw,he taught me about perspective when I was around three, I understood straight away.

My father died taking myself my brothers and sister to school…..we crashed into a tree,we got out,he drove again ,and died after crashing again. We were lucky……

So my days were filled with drawing ,,,,,,,as I felt I was close to him when I did this.

As shortly as possible, how would you describe what you ( are trying to ) do ?

I am trying to capture the idea of self……..the soul..which is so misunderstood in today's climate.

What is the position of an artist in today's society according to you?

We are told through culture what are preconceptions are as people never mind an artist. What ever the culture we live in,,,,,,should determine the artists goal.

We live in societies where all people of different backgrounds are artists….anything goes now….

Is it reasonable to be an artist ?

yes!!!!!!!!!!!!!!!!!!!!!!

Which other living artists do you like ? Can you comment on your choice of image ?*

Tracy Emin….Bill viola…Chapman Brothers…to name a few!!!

Let's have a look at a work by Tracy Emin :

I like Tracy Emin because she's a normal lass with a hard upbringing pretty much like my own…….she has a lot of spunk!!! And says I am an artist and what you going to do about

it!!!!!!!(laugh) …I choose this image because it says what environment we live in…

money is the root of all evil!

How would you like people to see your art? What reaction has most struck you ?

I hate being put in a box….just take form it what it means from them…some times people see my work as disturbing…buts it’s the idea of perception I play with…if its beautiful its OK…..(laughs)……..but its not the world we live in is it….

What sort of environment do you like to work in ?

I can work alone but I need to be surrounded by like minded people

Is it necessary to have followed an academic training?

Well coming from someone who spent time away?? I would say its necessary to be involved with a group…I have had a degree training buts it the environment that you need,if you’re an artist and has no degree I would suggest to join a group. it”s the same thing as going to university.

Let's see one of your paintings which you have chosen to comment on

Me age 6 just after my fathers death,,,my perception of the world I lived in changed for ever……………………………………………

What are you working on at the moment ? Do you have projects?

I am just about to start my MA in fine art to focus on film. I produced a film depicting my life and my sorrows to do with my father. I used simple and exciting techniques which I wish to develop once I get to uni. My words are simple but my mind is very active , what I can not say in words my eyes say it for me,and I find film another language which is easily accessible.

I'm an artist regardless of university but if I want to reach out I need this level of study …its hard getting exhibitions in galleries etc. if you haven’t the training……..

To conclude this first interview in the series, Do you have a message to give to the readers ( we hope numerous) of this blog?

If art is all you think

about ……..

If you wish to say some thing to a wider audience

If you wish to make a difference ………then I would suggest that maybe you need to go to university .

But if you love it and just love it for your self,join a group .and keep expressing your self.

I am motivated by love…by family……….by societies in difference to one another……

By the idea we live in a money orientated …….and religious world………..

Now lets just imagine we are all the same…..even for a second……

What a life that would be.

Thank you for reading this first interview and I do hope you have enjoyed it as much as I have,

Don't forget to visit Miss O'Rourke's Website

And come back to my blog for more interviews and news about my work in progress

June 16th 2008

Robert Dale Williams

It is my pleasure today, spot on for my birthday, to present to you, for those who would happen not to know him yet, Mr Robert Dale Williams. Born in 1972 in Pennsylvania, R.D.Williams is an major American Realist painter, who graduated from the great Academy of Arts of New York , and after that worked with Odd Nerdrum. He invites us to share his experience of Beauty through powerful and thrilling masterpieces, from which a mysterious aura emanates. Indeed, the very particular atmosphere of his work interrogates us, takes us elsewhere. But, for now, it is my turn to question this great artist, whose future brilliant career is beyond doubt.

Most of my creative energy was directed at trying to become an illustrator when I was younger, but I was a business student in 1996 when I changed my career path to painting.  I wanted a new challenge, something I could just throw myself into.  So I became an art student at another university.  It was the beginning of a difficult path.

  

When I began my studies, my favorite painters were the Old Masters and Vincent Van Gogh.  I wanted to craft bold, dramatic paintings, but my skills were so poor, and my professors didn't know the techniques of the Masters.  I was inspired by contemporary masters like Odd Nerdrum and Steven Assael when I enrolled in the New York Academy of Art Graduate School of Figurative Art in 2002.

  

So many artists today are caricatures of what the population perceives artists to be.  It is a comedy -- you can buy mass produced color prints of paintings that were made quickly because the artist was trying to build an inventory.  Art today mocks itself.  It is more self serving than ever.

  

It can be, but it is like every other profession -- if you are not bringing value to people, what you are doing is self serving and there is no point in bringing your efforts to the public.  Most artists can't get beyond, "Look at me!" and "Look at this!"  Martha Mayer Erlebacher, one of my instructors at the New York Academy of Art, taught me about being generous to the viewer.  That is, what is your painting bringing to viewer?  Is it beauty, an emotional response, or an awed response?  Most artists are fame seekers, to one degree or another.  I struggled with my own ego for awhile when I was younger, then I put my ego aside and concentrated more on what my work was actually bringing to viewers.

    

Most of my favorite painters are former students of Odd Nerdrum -- Helene Knoop, Jan Ove Tuv, Monika Helgesen.  I recently came across a young Russian painter named Alexei Golovin -- absolutely fantastic.  Others include Steven Assael, Jeremy Lipking, Adam Miller, Daniel Greene, and Nelson Shanks, to name a few.  (Shown: painting by Alexei Golovin)

    

Painting by Alexei Golovin ("Self Portrait with Grandfather")

Which work of yours would you like to show our readers ?

  

Robert Dale Williams, "Man with a Fur Hat", oil on panel, 28x22 cm, 20

If I'm successful, my pictures evoke empathy from the viewer.  I'm hoping to give them a memorable experience.

 
Is it necessary to have followed an academic training?

The answer to that depends greatly on what kind of paintings you want to craft.  Academic training and studying from nature was essential for my career path.  In the art world, however, one can be "self trained" and be considered a "genius".  If you want to be a great artist, you can disregard rules and still build your career.  If you want to be a great painter, your challenge is to somehow capture and harness the beauty of nature.

   
What are you working on at the moment ? Do you have projects?

I'm continuing a new series of paintings -- I hope everyone will see the results on my website, www.robertdalewilliams.com, later this year.  I'd like to thank Jeff Roland for this opportunity to discuss my work -- I'm looking forward to seeing his museum project come to fruition.

Lae Haska

It's with a particularly strong pleasure that I am introducing to you the first French artist to undergo this series of interviews : Lae Haska . Her 'universe' is absolutely unique, that, i will repeat again and again, is composed of characters, some charming, some disturbing, amusing, painted, painted again, glued, varnished, varnished again, all these character are set in very colourful environments, in which they play small scenes for us, duos, trios or more. Her technique is very precise and it gives to her work a texture you can't forget, the 'rough' aspect is only the mask hiding an extreme finesse, and it is only by looking at her works first hand, not on a photograph, for real – I'm sorry in advance, but treat yourself with a Haska, and you'll see – it's only there that the very specific and extraordinary presence of her compositions reveals itself. You have understood by now that I like her work a lot, that's why my questions will be as brief as possible so that I don't eat the space devoted to Haska :

When and How did you start to draw or paint ?

This is a thing which has always been with me, but Life ofteh chooses a different path. In my family, I was raised hearing « First get a diploma, and then, study », we'll see after that. I remember, when I was a little girl, people around me would refer to artists as broke freaks, outsiders. Needless to say that it dis not encourage me to explore artistic domains, even if i have always had a pen ready in my hand, to doodle and draw on any support,

What or Who motivated you enough to make it your main activity?

When my son was born, 6 years ago, following a relatively difficult sentimental experience, it triggered something. I couldn't put words anymore on what I was living , the joy of giving life, an unconscious flashback to my own unsettled childhood, and then, I found out that an encounter and a love story can quickly turn into a « Highway to Hell ». Thanks to my painting, I was able to set colours, words, images, and free myself of my deepest fears. I sort of tamed my past and maybe understood what I had been living so far. Painting my Life story is my main activity.

As shortly as possible, how would you describe what you ( are trying to ) do ?

Some drink to soothe their pain. Some drive at 150 mph to prove themselves they exist. I paint. So, Jeff, your questions are quite difficult to answer, in that case it's very hard. To tell you the truth, I can't even explain what I do, it's both almost pulsional and soothing.

What is the position of an artist in today's society according to you?

Two roles are possible : Either you get into the category : « oh, he/she's special ! » or you induce admiration and nice gazes, But I clearly don't care

Is it reasonable to be an artist ?

The more you are serious, the less you explore the depths of your soul ! Even though, it's a job like any other. Meeting with a showroom manager and selling your works, it's getting into a commercial aspect that has nothing to do with creation. Then, no more laughs, it's serious !

Which other living artists do you like ?

I like Ody Saban a lot for her ability to « write ». She tells about her life, her beautiful experiences and tragic ones, all this onpieces of paper and canvases. Her works are extremely feminine and poetic, mixed with texts and characters coming right out of her soul.

How would you like people to see your art? What reaction has most struck you ?

I don't want to know how my works are being considered because, in the end, your eye is peeking inside me. I would however want to know about technical defects. I am self-taught, and have so much more to learn. Recently, a customer admitted to me that she had almost cried looking at one of my paintings, I think it's the most beautiful reaction I had.

What sort of environment do you like to work in ?

I work on my small antiquarian-style desk '(!) and most of the time I create my pieces quickly without thinking. I don't like to spend hours on paintings, it has to be spontaneous. If I start to think about it, I don't like the result : like too sharp or to precise, I throw these away ! I don't use any previous sketch, I paint directly on the paper or the canvas. Sometimes, I can leave my work in a corner when I can't manage to finish it or when I am stopped over a detail, or I lay successive coats of paint, until I am satisfied with the result. I like when there is relief, depth, that's why I glue torn pieces of paper again and again, and then I paint on them.

I would like to have a real studio, or a closed space, where i could put my pieces to dry as they are, to lay them , put them on the walls, exhibit them. But,here I have to clean my mess up as soon as I'm over with my work, and that's the trouble !

Is it necessary to have followed an academic training?

To the contrary, not having an academic training is what makes it possible to create without any influence. It's trash and spontaneous, it may be the nicest unconscious representation of the soul of the artist. The brush is an extension of the intimate world of the artist. But , today, i want to take a few classes on techniques, because I can feel that to go any further, I need a few tricks of the trade... so I'm looking for an experienced painter, in the figurative style to be his/her student ! This is an official request !

Which work of your would you like to show our readers ?

I just can't choose, so, picked randomly among my latest works ...

Can you explain your choice of this particular piece ?

No, I CAN'T at all ! No way !

What are you working on at the moment ? Do you have projects?

I am working on a 80cm by 80cm canvas, which i 've done and undone for the past 6 months, which makes it a very heavy one, with paint and paint and paint ! It shows over 50 characters one upon the other ! It's extremely cahotic !

I am preparing a meeting with a gallery for the first time in my life. I am going to be inspected by an expert eye, roughly an inspection of my universe...so I am not that relaxed ! But then again, i sort of don't give a damn, I will go on painting whatever happens !

Do you have a message to give to the readers ( we hope numerous) of this blog?

You need to know how to enjoy a painting for what it makes you feel, and not to like a painting because the artist is famous !

 

Aldéhy

I am eager today to share a strong emotion with you, the emotion that filled me when i discovered the peintings of Aldéhy, by chance, on one of the turns of the paths of the imaginary. Deeply human and soothing, his work makes us find who we are, with a strange softness, a friendly humour, and an accomplished technique. His children portraits are touched by Grace, whereas his « Odyssée de l'Espèce » - Species Odyssey-, a series of 25 paintings links us humans to our History. Every one of his works radiates with a communicative enthusiasm. The extraordinary variety of his themes only strengthens the feeling of belonging to the world of Aldéhy, his painting welcomes you, adopts you with finesse. Go and dive into his Melanesian waters, take a walk in his factories, meet Moses or Lucy, Meet the best part of Man that is within yourself. Without further waiting, it is my pleasure to let the artist speak

Aldéhy, when did you start painting ?

It dates back to 1975, I was on a Southern Pacific island named Port Vila, in the archipelago of Vanuatu, known before as the New Hebrides.

And what decided you to become a painter for good when you were over there?

It was the enchanting sceneries in these places, along with the observation of the rites and customs of melanesians, all this encouraged me.

And it is for our great pleasure, would you be able to describe what you are trying to do ?

And what about the rôle of the artist in today's society ?

The artist is a revealer and is constantly on a quest for Grace

Is it that serious to be an artist ?

Which, to my mind, fits you perfectly, a sentence that appears as written just for you, and, among other living artists, who do you like?

I like the sculptor Ron Mueck a lot.The Realism and the emotion emanating from his works are sublime. I also like painters from other eras, painters of the clair obscur like

Philippe de Champaigne, Caravage, le « Radeau de la Méduse de T. Géricault »....

It is the intensity of the emotions revealed by this pictural technique which enthralls me.

And the work I have chosen to show you is « La Passion du Christ » by Matthias Grünewald.

Talking about your own work, what sort of reaction do you expect ?

Happiness...a 91 years-old lady told me that her husband, recently deceased, loved my paintings so much that he would have come to my exhibitions on his knees ! That is the reaction which struck me most.

How do you work, I mean, in what environment?

I work surrounded by silence and solitude.

And technically, do you believe that a classical, academic training is a necessity for a painter ?

Absolutely, so, tell me, which one of your works have you chosen to show us here ?

«  Lumiére sur un Ange » .( Light on an Angel)

Can you comment on it ?

All right, I also wanted to ask you about your projects, what are you working on at the moment ?

It is a new project, and it will be presented in 2011

Well then, thanks a lot, and to conclude, for us to keep waiting till 2011, do you have a message to pass to the readers of this blog, numerous , we hope, to discover you or rediscover you ?

Have a good trip !

So this was the conclusion of this interview with Aldéhy, and i strongly advise you to see or see again his paintings, on his site or in coming exhibitions, I just have to thank again the artist to have honoured us with his presence here, and for us, we'll meet again in a few days for some more news about my work in progress.

Virgile Debar

The world is now filled with images, all sorts of images among which some that we have not chosen, that are there to be produced in huge quantities , in order to make us consume more. These are precisely the images that Virgile debar has chosen to tear, remodel, recompose in order to give them a turn of his very special personal touch. The characters he depicts are free, have freed themselves, we can feel in his painting a great energy, musical, daring and humourous. But his work goes further, as his inspiration derives from an artistic and spiritual questioning, Virgile Debar is perpetually searching, the perpetual adventurer. I receive him today so that you can discover his work and original concept.

When and How did you start to draw or paint ?

What or Who motivated you enough to make it your main activity?

When I was at school, I was usually bored, I didn't like too much the things I was taught. For instance, in French class, I had to read books that bored me, or let's rather say that it was the teachers who were boring, because later, I started reading but from my own initiative. Anyway, I didn't like school, except for art classes in which I felt that there could be a lot of freedom even though the subject was imposed, and as I did pretty well, and that I surprised my friends and teachers, I went on. And I think that I had quite a lot of things to say, and that it was the right way to do it. But I didn't know that painting could be a full-time activity, it came gradually.

As shortly as possible, how would you describe what you ( are trying to ) do ?

It's going to be complicated to do it as briefly as I can. My work is about questioning mass-production images ( as advertisements with purpose of consumption) and installing a dialogue between these images and my personal writing, namely, my painting. I am trying to create uncommon images, as I know that painting has existed for thousands of years. For example, when I work on a Nude, I don't want to get into a cliché, that of an obsolete art, I think I am bringing something new, I don't believe to be a follower, to answer some that think that Painting has no more to say.

What is the position of an artist in today's society according to you?

I don't really know, and to be honest, I kind of don't care, I am just trying to struggle as I can to earn my living with my painting.

Is it reasonable to be an artist ?

Is it reasonable to be the President ?

Which other living artists do you like ?

The artists I am listing here are not only painters, but also musicians, cartoonists or even writers, and some of them are even dead or the band split. I like Jörg Hermle, Robert Crumb, Jean Rustin, Julie Doucet, Nicolas De Crécy, Les Sherrif, Hans Bellmer, Led zeppelin, Iggy Pop, le Velvet Underground, Nirvana, Basquiat, White stripe, les Berruriers Noirs, les Melvins, Zabriskie point, William Burroughs, Rimbaud, Baudelaire . All these people have influenced my work in some way, when they haven't made me deaf by listening to their music full blast (Laughs)

I've asked you to pick an artist you want to show our readers,

along with one of his/her works ....?

I have chosen a piece by Rustin, entitled « Femme Nue Debout les mains écartées » (Standing nude woman arms open wide). The reason is I think it is a great painter who is not valued enough , not as Bacon is for example, Maybe you can't see it at first, but his work has inspired me a lot, not to mention the fact that I am impressed by Rustin.

How would you like people to see your art? What reaction has most struck you ?

It is not my role to say how my work should be seen. Ideally, i hope it brings as much energy as a good music band, you know, the kind of band that make you hit the roof, or make you shiver. Because, I have personally never seen a work which would have this effect on me.to

What sort of environment do you like to work in ?

With naked women (Loud laughs)

Is it necessary to have followed an academic training?

Not really, I think it depends on your personality, i think a diploma doesn't make you an artist, it doesn't work as a qualification in electricity for instance. I briefly went to Art School but I didn't feel quite comfortable, in fact, as soon as the word 'school' appears, I don't feel very comfortable. But the good thing about an Art School is that you can attend workshops and studios, and maybe meet interesting people.

Which work of yours would you like to show and comment ?

I have chosen « Californienne perspective » (Californian Perspective). Even if I don't want to unveil too much the meaning of this work, I am going to do it anyway. You can see this painting as a girl who is sexually open, not like a sexual object but a girl who's confident with her sexuality and with whom we're going to have a nice time, it's a Super Woman, which the 'S' on her panties shows, and which is also a reference to the origin of the world.

You can also see it as a sort of passage to Heaven or Hell, she's carrying a guitar on her back as you can carry a cross, she's the one who is to decide if you will reach the stars or not. My painting is far more spiritual and a critique than you can imagine. Here you are, I won't say anymore... people can see whatever they want.

What are you working on at the moment ? Do you have projects?

I am working on my painting, I am trying to book exhibitions and I hope I can make it my sole activity

Do you have a message to give to the readers ( we hope numerous) of this blog?

No ! Let them understand my work as they wish.

July 1st 2008

Alan Lofsness

It is my great pleasure to welcome Mr Alan Lofsness to my blog today, as I am convinced that a lot more people here in Europe and elsewhere should discover this amazing artist : Influenced by both cubism and art deco, he develops a style in which the atmosphere is unique , landscapes and characters share the same presence and strength. Constantly varying techniques and colour palettes, his work is always full of surprises and audacity. That is an artist to watch closely if you haven't already been seduced by Lofsness 's world.

Mr Lofsness, I am proud of sharing this space on my blog with you. You are here on a French blog, and we are always curious about artist from the other side of the Atlantic, you were born in Minnesota, but an important part of your ancestry was European, am I right ?

Well, yes, my earliest ancestor was a Dutch pirate that went to far northern Norway around 1600 to hide from the law. He settled on a small island with former Vikings and started a new family. My grandfather was born there in 1840 and he had 18 children. My father was born in 1908 on the same island and he went to America when he was 16 years old. I was born in 1947 in the middle of the great prairie of the American West. My mother was from a small village in Sweden.

So when and how did you start to draw or paint ?

From an early age I knew I was a painter. It was a genetic imperative... Maybe those art interests were inherited from Swedish folk artists?
I assume my rebellion comes from the Pirates and Vikings.

So was this impulse strong enough to motivate you to make it your main activity?
I've always been self-motivated by an obsession to paint pictures.So yes,

About this activity, as shortly as possible, how would you describe what you do ?
I am working at the craft of inventing and painting pictures.

From this perspective, what is the position of an artist in today's society according to you, I mean, do you reckon to have any influence on the world ?
This is not a power type career; it is about private issues and personal decisions.

So it is reasonable to be an artist ?
It is very possible for an artist to live a reasonable and managed life. It's hard work and a bit tricky but it can be done.

Now, what about your personal tastes, which other living artists do you like ?
Folk artists of the Mississippi Delta. And as for artists from the past are concerned, Picasso is the one that I admire the most., that's why the image I have chosen to show your readers is « La Femme Fleur «  a portrait he painted of Françoise Gilot.

Talking about your own art, how do you react to the way people see your work ?
I'm often amazed by how some collectors like my paintings. Several collectors own between 50 and 100 works. I try not to be affected by sales. I can't control how people see my paintings and I'm too busy painting to worry about it.

What sort of environment do you like to work in ?
I'm always striving to limit clutter - keeping things clean, simple and direct.

As an ex Art student, do you think it necessary to have followed an academic training? Which qualities do you need to be a real artist ?
Academic training is good and bad. Art teachers do a great deal of harm; they teach students to be art teachers and accept misery. The humanities, philosophy, art history, drawing are important. If an artist is in a big hurry he should learn technique from a working full-time artist not a teacher. I don't really know what it takes for others to be a real artist perhaps just the courage

Which work of yours would you like to show our readers ?
'Garden' I finished it yesterday.

What are you working on at the moment ?
My current series is mostly about techniques. It is moving forward in a good direction and might become something nice.

Where can readers see and buy your work?
I am a full-time artist, selling on eBay, all you have to go there or search for LOFSNESS on eBay

Do you have a message to give to people who have never been to any exhibition or museum?
No, that isn't my job. It's probably better if they don't go:)

If you were to address the readers ( we hope numerous) of this blog, what would your message be?
The sound of the lone DaKota Tom-Tom on the vast Eden Prairie of the American West.

Well thanks a lot for that soothing and poetic last image Mr Lofsness, I sincerely hope a large number of our readers go check your work and start spreading the word around them. So it's been a pleasure to hear you, welcome back anytime.i will be back personally with some more comments on my work and art in general, but that'll be later today or tomorrow.

---

Jylian Gustlin

Some days brighten up suddenly, an encounter may trigger this feeling, and when I discovered the paintings of Jylian Gustlin, time stopped for a while. Was it the sheer Beauty of the composition, the subtle arrangement of the perfectly matched colours, the way figures detach themselves with grace from the background, or her universe of soft texture and light? I couldn't really say what the secret of this Californian girl, so i decided to look further into her work, and dive into her universe. Today, I'd like to introduce to you an artist, who, I believe, is both very talented and original. If you ask me, she is going to be a huge paintress of this century. I am very pleased to welcome here, Jylian Gustlin :

I am honoured to welcome you on this blog, Mrs Gustlin, so, tell me, when and how did you start to draw or paint ?

My first artistic memory dates back to when I was 3 years old, I made a full room mural out of crayons

I see, so after that, what motivated you enough to make it your main activity?

It was my first art gallery which motivated me to paint full time.

As shortly as possible, how would you describe what you do, what is the essence of your work ?

I work by combining all different genres of art, printmaking, ceramics, sculpture, painting, drawing, sewing, digital art, and collage.Basically my working method is to make as many mistakes as possible until it's finished.My subjects evolve as my interests change, the figure has always been mainstay in my art as I have always been fascinated with the human condition:
A nameless passer-by. A solitary figure lingering on a street corner.
A person rushing past. Someone coming, going, living in our anonymous society.
A member of the crowd, one of the silent majority.
Anyone who screams, dreams and sings inside us.
A person who lives lost amidst the crowd.
A monument stands the moment in music when all instruments are in harmony.
An old self to the left, the new to the right.
A vividly surreal world. The view of wider, longer roads and pathways fades with the mist invading ones mind.

And now, according to your very poetic vision ,what is the position of an artist in today's society?

For me, being artist means to try to create beauty.  The way that Pachelbel'sCanon can brings me to tears.

Hopefully, to move people to feel.

Fine, but do you reckon it is reasonable to be an artist ?

It is the only reasonable thing that I can think of to do.

Although, I think to live, to love, to be, we are all artists in our own way.

Creation is everywhere, in the smile of a child, in the whisper of the winds, in a blade of grass.

 
Which other artists do you like, first present and then from the past ?

The most important to me would be Nathan Oliveira, Javier Marin, Hildegard of Bingen, Robert Motherwell, David Hockney, Agnes Martin and Egon Schiele

The work I have chosen to present here is by Nathan Oliveira and is called "Torso I"

How would you like people to see your art? What reaction has most struck you ?

I enjoy hearing collectors of my artwork tell me that even years after they have purchased a painting that they still find new elements in it.That they have decorated a room to fit in with a painting of mine.Feedback, I believe , helps any artist if one listens deep enough.

What sort of environment do you like to work in ?

I have just completed a beautiful new studio, large windows and huge oversized doors, what a joy it is to create in.I like to be surrounded by wonderful gardens.

Is it necessary to have followed an academic training?

I  don't know if it is necessary to have an academic training, although I am glad that I do, it has helped me.

If I had to pick one quality that is important in an artist is the ability to watch, to pay attention to what is going on around you. All the rest is just icing.

Which work of yours would you like to show our readers ?

This one is entitled "Bivium 3"

Where can our readers see your your currents works, and I hope, buy some ?

   My website, www.jyliangustlin.com,has new work as well as older work on in that your readers can see and buy my work.

Do you have a message to give to people who have never been to any exhibition or museum?

What are you waiting for, it is one of the most enjoyable way to spend an afternoon, I highly recommend going.

Do you have a message to give to the readers ( we hope numerous) of this blog?

That we are all one. 

Thanks a lot, Mrs Gustlin, to have agreed to answer my questions, I am repeating my piece of advice, watch this lady closely, as she's really very talented, and as for us, we will meet again soon for our chats, and some more interviews. Thank you .

Jesse Parrotti

I found interesting to interview an artist i like very much, and who is a living example of the intelligence and adaptability of the world of artists. Indeed, when numerous artists fin dit hard to show their work, Jesse Parrotti chose to be also a designer, based in San Francisco. He makes t shirts, as well as several graphic works on which his work can be seen by a wider audience, which allows him to paint and draw what he likes at the same time. This way, his public is international, and his illustrations are only the tip of the iceberg, as we have here a great and gifted artist, hidden behind a mask of illustrator. In my mind, he is a lot more than just an illustrator, something is at work in his work…something special. Let’s meet him in person :

When and How did you start to draw or paint ?

I have been drawing ever since I can remember, literally.

 What or Who motivated you enough to make it your main activity?

My parents have always been huge enablers of my drawing addiction.

 As shortly as possible, how would you describe what you ( are trying to ) do ?

I love making up stories, building worlds. I also love mixing fantasy and mundane reality. I try and do both of those things in my drawings and paintings.  I see illustration as a perfect medium for telling the stories that I come up with, which are usually not cohesive enough to be written down or told orally. Just a fleeting idea, sometimes making no sense at all, but still compelling.

 What is the position of an artist in today's society according to you? For example, do you reckon to have any influence on the world ?

In my mind an artist is in a position to remix, re-evaluate, re-interpret, sample from and comment on the world around themselves. In addition to that, just the act of creation, organizing your influences into a cohesive idea, it’s really gratifying, therapeutic even.

 We all influence the world around us. How far our influence reaches, the motivation and the affect of that influence is the real question. Who knows?

 Is it reasonable to be an artist ?

For myself, it’s unreasonable not to be one. Although I think maybe it’s unreasonable to only be an artist.

 Which other living artists do you like ? Which artists of the past do you admire most?
I don’t pay a whole lot of attention to names, but one artist who has really made me excited recently is Ashley Wood, he does a lot of comic books in addition to some really amazing paintings and other stuff too I’m sure. As for artists of the past, I’m a fan of Albrecht Dürer. His etchings are really far out. I also like Alphonse Mucha, I think his precision and craftsmanship are really inspiring. Oh, and I can’t forget John Berkey, he pretty much just painted spaceships and space stations, they are amazing, some verging on psychedelic.

These two pieces don’t necessarily have a ton in common, other than maybe they both have a spaceship in them. This is just an amazing piece by John Berkey, and I’m fairly happy with my piece as well. His work really inspires me to get a lot more fluid, more organic, a bit less graphic and precise.

How would you like people to see your art? What reaction has most struck you? Does it influence your painting?

I guess I just want people to see it and be intrigued, try and figure out what exactly is going on. A drawing might tell a certain story in my mind, and it might tell a completely different story to someone else, that’s awesome. I think people just enjoying my work, wanting to see more, that strikes me most, it makes me want to keep on making images… Although, even if no one wanted to look at it, I’d still make it, but it’s nice to know that there is an audience.

 What sort of environment do you like to work in ?

Right now, I am without a workspace. I recently moved and have been working out of my house, which I have quickly learned is not my ideal situation. Rent is pretty high here in San Francisco, but a studio is quickly becoming a priority. I’d say anywhere with enough space and privacy that I can get messy, and leave my shit lying around. It’s pretty stifling when you have to unpack and pack up every time you want to get some work done. I also love listening to music when working; I’d gather that most folks do. And of course if I could have a nice space out in the woods somewhere that would be ideal, but I do enjoy what the city offers. A more rural setting is somewhere in my future though. 

Is it necessary to have followed an academic training? Which qualities do you need to be a real artist ?
I don’t think traditional schooling is necessary at all. I think it can help in certain ways, but it’s also very expensive in most cases. I was able to attend school for free because my mother was a professor, if that were not the case, I may not have attended.

 I think, more so than academic training, an artist really needs tenacity and ambition. You really have to set your priorities, make art-making a centerpiece in your life. Anything worth creating is going take some serious work, thought and dedication. I vividly remember the moment when I decided to get really serious about making art; you really have to consciously manifest a change like that.

 I’m not trying to say that there is only one way to make art, everyone can put as much or as little into his or her creative endeavors as they would like and it’s just as valid. It’s just that, for me, drawing is one of my biggest passions; I want to do it all the time, make a living from it. It’s natural that it becomes priority.

 Which work of your would you like to show our readers ?

 

This is one of my more recent pieces. I’m really happy with the direction I’m moving in the piece. More fluid, and frankly a quicker, simpler illustration, not as much noise. I’m really happy with how it turned out. On one hand I want my work to move towards becoming more detailed, and at the same time, way more sloppy, more painterly.

 

What are you working on at the moment ? Do you have projects? Where can readers see/buy your work?

I just finished a bunch of designs for Zoo York. Also some work for Von Zipper. Those shirts will eventually be for sale in stores and online. As for my own projects, I’m always working on new art and will hopefully start selling some prints on my website in the near future. As well, I plan on producing some of my own shirts; I just need to get all my ducks in a row. The best place to find out what I’m currently up to is on my website, www.jesseparrotti.com.

 

Do you have a message to give to people who have never been to any exhibition or museum?

Don’t worry so much about visiting a museum or gallery (even though I’m sure you can find plenty wherever you live, for free even). I’m not against that scene; there are some really great exhibitions and gallery spaces. But you can find art being made and shown everywhere. If you’re in a black hole, make it yourself.

 

If you were to address the readers ( we hope numerous) of this blog, what would your message be?

Eat good food, have fun and don’t be afraid to start something.

MU

It's high time I introduced to you an artist who is dear to my heart, and who is already part of my museum of the imaginary : Her name is Muriel Yapo, and she's better known as Mu. Her paintings are filled with graceful round figures, soft feminine shapes dancing, bright full colours which possess you. You can tell a painting by Mu at first glance, as she obviously creates a personal and original work, constantly developing itself. But how about deciding for yourself right here by listening to her interview on this blog, in which she is going to try and explain her way of seeing art and why not drift along Mu's curvy and sensual universes

Dear Mu, could you tell our readers how you started drawing ?

Just like everyone else, I think ! I started to draw as soon as I could hold a pencil in my hand, and started to sculpt when I touched my first Plasticine. I've never stopped ever since. During my first year in kindergarden, I even tried to sharpen my finger with a sharpener to see if a lead would come out !! My teacher's scream when she saw the blood, along with the pain I felt then left me a vivid memory !

And what made you consider making art your main activity ?

A lot of factors triggered this decision. The main ones were : my highly emotional nature which I learnt to cope with through artistic expression, my parents'talent with anything that involves hand labour, my uneasiness and boredom at school and finally the feeling of freedom that it gives me. But, in any way, it was a very early calling.

As briefly as possible, how, or could you explain what you are trying to do through your work ?

I'm just telling about my story. A dance of emotions which is expressed through the language of shapes and colours. Unfortunately, Fate made it impossible for me to give birth and there is a physical suffering liked to this. But as i remain an optimist, I decided to use my brushes instead, and thus draw my strength from it.

What has become of the role of the artist in the world of 2008 ?

I think that the role of an artist is proportional to the role he wants to give to himself/herself as an individual. I am certain that for every human being, a choice place exist. All you need to do is to find it...

Tell us the truth, is it serious to be an artist ?

It's ovious that if you decide to be a banker, an architect, an accountant or something like that, people will say that these jobs are 'serious' or earnest jobs. But if you look closer, they're only reassuring codes. The most important is to be true to yourself, living your life by listening to your heart, and that, is very very serious to my mind !!

Which other living artist do you like, and can you tell us why ?

Robert Combas, for instance. I find his painting powerful and filled withfreedom. His paintings are loaded with images, the colours are used perfectly. I love it !

His work is inspired by folk culture and I particularly like when art is accessible to evrybody. I've chosen to illustrate this by showing you a work by Combas entitled «  La signature Combas devenue à moitié bleue à moitié verte » [NdT : which means The Combas signature has become half blue and half green] which is an acrylic painting on canvas (215cm x 145cm)

How would you like people to see your works?

I am always touched when my work makes people feel strong emotion. Whatever the emotion is, by the way. I also like people to be free to find in my work what they want to see. The reaction which has struck me most is when a few people actually shed some tears looking at it.

Where do you like to work ?

When I think about it, the place where I feel the best to throw my first ideas onto paper is simply my bed, and surrounded by silence. For the remaining part, it can be anywhere, but I need light and solitude. The silence is replaced by the radio I take along and the snores of my dog 'Jazz. You know, a dog's life is hard.

Do you feel it necessary to have had an academic training in art ?

Artistic expression has been a part of us ever since the dawn of time. It's an element of human nature. Somebody who wants to practise the arts must be free to do so without a net.

Which of your works have you chosen to show our readers, and can you comment on it

The tile is « Vers un autre jour » (60x120) [NdT : « Towards another day »]

There, you can see brighter colours, shining suns, a helping hand, a bird flying in a shadow puppet atmosphere ( some see an elephant's head)

The bodies piling up and bending under the main character show the psychological and physical pain she has suffered. She is walking over them as if getting past all that.

The character on the left, in a golden colour, represents all the positive forces that make her go forth. Very tiny characters appear in the top left corner, they are the « others » that have been significant for a while in her life and are now history.

Here you are, I hope these few clues will help you to made the reading of this painting clearer.

What are you working on at the moment ?

I am trying to find the ideal material to sculpt without maling noise in a small space. I am trying several mediums. I am also preparing a surprise which will appear on eBay in September !

Which message would you like to send to our readers ?

Well, don't hesitate to send your comments through my websitemu.peintre.free.fr

Cristine Cambrea

Ok, Cristine, tell me, when and how did you start to draw and paint ?

As long as I can remember I loved to draw. As a young girl I spent most of my time hiding from my three younger brothers in my bedroom. In those days there was no internet and I didn’t grow up with a TV in my bedroom or video games I only had my imagination. I was obsessed with M.C Esher the only art book I believe I owned as a kid. I would stare at his drawings for hours trying to follow with my eyes the puzzles he created. I played with my vision a lot going back and forth with my eyes seeing it one way and then another and was fascinated by these drawings - to me if felt like magic. How could he draw something that you could see in multiple ways depending on how you adjusted your vision ? I also enjoyed mazes and instead of drawing my way thru them I would try and find my way thru with my eyes. These were also my first creations. I started with only pencil and drew mazes incorporating words. I then moved onto ink which I found much more complicated because there was no room for error. Once the ink was there erasing was not an option. This is when I started using my mistakes to create images. The line that was a mistake became a nose and if I add an eye and a mouth I have a face but if I continue the maze of lines the face is hidden and these secret hidden faces and words were intertwined within the whole. I strated creating my own little worlds inside of worlds obsessively drawing in every inch of the paper. I stayed with black on white for years mastering the medium of ink on paper in this style. They were basically evolved doodles. It was amuzing to me when people could not see the hidden images and I had to point them out. It was there but only I knew it. It became a way for me to have secrets and privacy. I drew all kinds of symbols that once pointed out would read like a journal. All of my deepest darkest secrets, experiences, and feelings were hidden inside these drawings. They became my diary and I could leave them out in plain sight and my parents and brothers would never understand them. Back then I would work on a single page for months. It wasn’t about finishing the piece it was about getting lost while I did it. I learned to work out my problems this way. The same way writing can release pain -my drawings did the same for me. It was all symbols and stories wrapped into the lines and designs. I didn’t want it to be over because it wasn’t over I was still experiencing life I still had more to say and get out. I hated when the page would get filled up and I’d have to start new. I took these where ever I went and used it to shut the world out. In high school the art room was where I spent all my free time. I ate lunch there and stayed thru recess and was blessed to have an incredible teacher who encouraged me to explore the style I was creating. This was my outlet, i wasn’t into sports or clubs and like most artists I was an out cast of sorts –the wierd girl living in her own world.

I never thought I would be making a living doing my art. I did it because I needed to escape from reality, to work out my life, my form of meditation. What motivated me to make it my main activity was basically financial desperation. I had an imported craft store for a few years and decided to close it to sell the crafts thru my website and online stores as this was supporting my business during the tough Vermont winter months. As I waited for my container of merchandise to show up from Bali I found myself with nothing to sell and no way to make a living. The container was not to arrive for 3 months and this was a big problem. Depressed about the situation I started painting more often as this was always my way of escape. I then started researching art online. I saw that just like selling the imports thru the internet artists were having big success selling art. As a test I painted a few small 4 inch x 6 inch paintings on paper and they sold right away. I moved onto canvas and started creating larger pieces –those also sold. By the time my container arrived I was paying my bills with my art. I did this for about a year and sold hundreds of pieces thru the internet before ever showing my art to the public. The word got around in my town that I had closed my imports business and started doing my art full time. A local boutique gave me a show in 2005 and I had a blast talking to the public about my work. A few weeks into that show a local gallery contacted me and wanted to represent me once my show in the boutique was over. In the last 3 years my art career has taken off. I am now represented by 8 galleries that have some how found me and the list is growing. I continue to show and sell my art thru my website and specific online galleries. I learned that when one door closes another opens. I also learned that everything happens EXACTLY the way it is supposed to. It is a blessing in so many ways that it worked out the way it did. It was a challenge in the beginning separating the creative process from the dreaded but necessary business aspect. With practice I have learned to separate the two. Thankfully I have not lost the joy that the process of doing my art gives even though I now count on it for survival also.

My hope is that I create art that makes people think, feel and look inward. Relating thier life and experiences to the symbols I have created and hoping that they feel as though the paintings speak to them personally. With each painting I create I trust that the universe will connect the piece with the person who needs to hear or feel it’s message.

Reasonable or not it is all I know. It is only in the last few years due to circumstance that I made it my profession. I never did art with the idea that it could be a career. I did it because I had to it was my escape from the world and how I learned to deal with problems, stress, anxiety and it was a way for me to understand my subconscience. Artists should simply be honest and true to themselves and do what feeds their soul. The energy that is created when doing this goes into the paintings and blesses each person that gazes upon it. Paint in light and openess and pass it on.

Which other living artists do you like ? Can you comment on your choice ?

Strangely my favorite artists right now are the ones who are the most simplistic. The paintings my eyes enjoy are the calm serene works. I love color and obsessive works but because it is what I am surrounded by every day the paintings I would hang in my home are easy on the eyes and have a calming energy. I am also enjoying PRETTY paintings lately. What I am describing is so opposite of what I do and also able to do. As hard as I try I never suceeed in making calm pretty paintings. I am obsessive by nature and to leave out a face or a world that is so obviously there would mean not recogognizing it’s exsistance. I MUST draw what I see or I don’t feel the painting is complete. Believe me I have tried but what happens is it bothers me to the point that I give in to it and draw what I see. So my favorite artist at the moment is actually my assistant Shawna Cross. She works in a large scale with oil paint. She accomplishes these beautifully moody abstracts and the energy when standing in front of them have an intense feeling of peace. Her process is quite inspiring also. Many times I find her on the floor writing (not sketching –WRITING) sometimes spending the entire day doing just that then suddenly without warning she hops up and attacks her canvas. She says it helps her to understand what she’s painting. It is a symbiotic experience to her. The secrets of her work lay in her books and it is oh so tempting to want to read. Of course I would never violate her in this way but it does leave me curious.

This is my favorite, it is entitled "Obatala". It combines all the mixed medias i love and my spirituality. "Obatala" is an Orisha (deity) who lives at the mountains and represents wisdom, peace,and purity.

I would like people to feel like it was created just for them. I love when people relate the symbols and stories to their own life. When this happens it doesn’t feel like such a selfish career as if I am making the work to help them to understnad or see their own world in a different way. I love when it inspires new creativity as well. Someone who used to make art but life got in the way and after seeing my work is inspired to be creative again. I get some real strange responses sometimes and many people think I must be on hallucinagins –which for the record I am not. One of the most recent and fulfilling comments came from you Jeff. You said you felt that their was a spirit guide communicating with you thru the painting. It doesn’t get much better than that.

Is it necessary to have followed an academic training?

Well this is a tricky one.......... it depends on what you are doing. If you are attempting to do photo realism then YES for sure. For me this would drive me to a mental hospital. I have neither the patience nor the tempermant to do work like that. The photo is just fine with me. This is not to say that I am not in awe of people who can successfully do this I just can’t. My first college paintingc class was a masters course. The students had all been thru 4 years of painting and I took it as an extra course I don’t even know if I got credits for it but late in registering painting 101 was full. I took my portfolio to the professor and asked to join his class. I liked it because it only met once a month and basically you could do whatever you wanted. You could use the studio to work in if you liked (which I didn’t- I like to be alone) and we would meet and do critiques of our work. Well I was quickly the joke of the class because with absolutely no real training in painting my work looked like a childs compared to the other students. On the last day my professor pulled me aside and suggested I stop taking art classes. He said my work would become institutionalized and look like everyone elses. It was the first time I heard the term Outsider art. He told me to look it up. Well I did and I thought I found my people. On further examination however I realized that I didn’t really fit in there either. Although my work looked very much like these outsider artists I wasn’t an outsider. I lived in cities my whole life, I didn’t spend years in an institution, and I wasn’t crazy by the clinical use of the word. So those really weren’t my people and I gave up trying to find my people or a box to fit into. I was fine with this until I started showing my work. Everyone wants a label. What kind of work isit ?? With the help from my father in law and the internet I found a label- Visionary Art. After reading Alex Grey’sessay onwhat is Visionary art I felt a box surrounding me. My process is verymuch in sync with Visionary art. Using devine energy to guide me thru my work. It is a spiritual process where I tune the world out and tune the spirit world in. Surreal worlds with a Visionary process I now go by the label of Surreal Visonary artist.

Well right now I am working on completing these questions which I took way to long in finishing and I do apologize for the procrastination. Today is a left brain day- emails, shipping, giclee printing, etc. It is considered a work day. Tommorrow I get to play and paint and draw. I always have peices in process both on wood and canvas. I am also working on some sculptures using a variety of materials including driftwood, clays and other things. This is also a project that I may never finish but I am enjoying the process and am in no rush to see it completed.

Ümit Özkanli

Ümit Özkanli

I discovered the work of Ümit as I was surfing the Web, looking for something to move me, waiting for an impulse, a spark, as the mystery of what actually really draws us, attracts us, is still unsolved.

Even more so in the realm of Abstraction. But there, something happened, a particular energy and lyrism emanates from the works of that Turkish Abstract Expressionist. It encouraged me to get to know him better, for two main reasons : First, as I was saying, i like to try and solve the mysteries of the attraction of Abstract art , and then, i realized how ignorant I was about Turkish painting in general, and about Turkish Abstraction in this case. So, it was only natural for me to invite Mr Özkanli on this blog to answer some of my questions. But please meet him in person :

When and How did you start to draw or paint ?

As shortly as possible, how would you describe what you ( are trying to ) do ?

What is the position of an artist in today's society according to you? For example, do you reckon to have any influence on the world ?

Is it reasonable to be an artist ?

Which other living artists do you like ? Which artists of the past do you admire most?

(Willem de Kooning, Door to the River 1960)

How would you like people to see your art? What reaction has most struck you ? Does it influence your painting?

What sort of environment do you like to work in ?

Is it necessary to have followed an academic training? Which qualities do you need to be a real artist ?

Which work of yours would you like to show our readers ?

Ümit Özkanlı, Portrait of a Sad Man, acrylic on canvas,

What are you working on at the moment ? Do you have projects? Where can readers see/buy your work?

Do you have a message to give to people who have never been to any exhibition or museum?

If you were to address the readers ( we hope numerous) of this blog, what would your message be?

Anne-Sophie ATEK

I found out about Atek's work quite long time ago by now, it was just before she decided to introduce a little bit of colour in her fascinating, unsettling and meticulous universe. At once, I recognized the work of a big artist, because of the precision of the lines, and the strength of the images used. Bodies lose their shape, in a poetic dance, subtly waking us up. Gracious, light and monstruous, this is how you may describe Atek's creatures. But what stands out is imagination, pure creation. A feeling of a great mastering of her art, and still growing... But let 'not wait longer and meet Atek :

For those who haven't had the pleasure to see your work, could you introduce yourself and say what you mainly like as a creator ?

My name is Atek and i am a plastic artist, I studied in different schools of art, Plastic arts school of Monaco, Graphic design school of Rouen and Academic Art School of Nice. But I really started learning something after all these schools, in real life, as I had to find a place to be in the middle of all the things i had heard of.

My passion for drawing hasn't always been an asset, but i stuck to it, and enriched it, as this is my favourite medium as well as my 'artistic line', it feels as if i have always drawn as far as I can remember, because to me, it's just as obvious as eating or thinking and writing, it's obvious and vital. I was seized by a passion for art, creating is my nature, I can't conceive a life without art. It's my main activity and I fight everyday to find my space in the Contemporary 'milieu '. Real life jobs succeded one to another, as art can barely sustain any person's life, or let's say you need a certain time to get to that point, but I am motivated and you get to learn about patience. The important thing being not to lose your self confidence and to go as far as your passion may lead you to.

I couldn't agree more ! How has your work evolved these last years?

At first, I had a very simple approach to drawing, it was mainly very economical . I had to work with a low amount of money, as a purist, just pencil and paper,, and I also wanted my works to be easily transportable, it has always been very important to me, because of things that happen in life. That challenge allowed me to focus on the essential and to get better at my white-grey-black style,

sometimes minimalist or overloaded, but in every case, with the desire to express my restless and tabooless complex brain 's deepest thoughts through the plastic aspect mainly. Because to me, Drawing is intellectual when Painting is sensual. My imaginary crowd of bodies, faces, monsters, mutants, cloned to nature, to the object, to animals, to whatever crosses my mind, all this becomes a new language : my own iconographic repertoire is set in an out-of -time universe but it always has existential references . It's been 10 years now, that i've been experiencing lead and fiber on formats that I wish to be larger and larger, I started a study of Form which I then associated to Meaning, working with the space formed by the paper or loading the image to the maximum possible, I will never have finished to explore this medium !

This year, I made attempts at introducing colour, washes with ink, and what comes out of this experience is : Drawing forever ! I allow myself to have small vivid and luscious breaks in which i play with colours, though the latter are contained by a black frame made of my shapeless shapes, horribly lovely. There is a sensual pleasure with the strange ugliness, in the fact of shaking the canons of Beauty, and to question by striking minds. Art must intrigue and try to show previously unseen images that make you wonder. 2008 is a key moment in my work, through a repeating trip into colour and back to black and white, with graphism being a constant.

How do you consider the 'artistic world' and talking about this, does it matter at all to be an artist ?

As an artist, i must say that it is very difficult to find a place among fellow artists, the world of art is very selective and I sometimes feel that you need to be over eighty or dead to be honoured by a retrospective in the local museum. It's strange to see and meet so many creators with so few places to exhibit them.Furthermore, if you're not into painting or sculpture, then you're almost helpless, you need rage but most of all some passion , motivation and hard work, that is the correct recipe.

An artist offers a soft madness, sometimes represent its era or is in opposition to it but it's always a source of wonder because the artist communicate its folly and makes it possible to escape, it moves your bowels, and makes your brain work, in a word, it wakes you up ! To be an artist is to embody a utopia, it's making a child's dream alive, it's escaping the dullness of everyday life. It also makes you go forward and it's a good therapy. It's also a long study and it's with some knowledge of art history that you can evolve in your domain, both plastically and aesthetically, you may then also situate yourself in time and inside your own work. Any form of art interests me, you need to be curious : in any style, any movement, there is novelty and talent, I could talk about Bosch, Klimt Magritte, picasso or Brancusi for instance, but i want to take some time to introduce an artist i recently discovered when I visited the art showroom of the Conseil general of Aix en Provence : it was a group exhibition called «  Le Cabinet des Merveilles » (NdT : Cabinet of Wonders), and i found out among other things the work of Thomas Grünfeld.

So you chose to present Thomas Grünfeld to our readers through his piece called 'Misfit', can you tell us a few words about his work ?

He does a three-dimensional plastic work in which the artist shows us cloned animals, hybrids so real and yet quite unlikely. This taxidermist work takes us back to the issue of 'what can be shown in a work of art ?', His creations are unsettling, because they make us feel uneasy and fascinated at the same time. There is some beauty from an aesthetic point of view, some surprise through the cloning part, some fear with the realistic rendering, a quiet coldness in the strange beast statuary that he imposes to our eyes.

As far as I am concerned, I often give poetic titles to my pieces, song titles too, I create strange words because writing is an art in the same respect as drawing is. You have to give it a shape, it does not necessarily help people to get the meaning of the image, but it gives a bonus colour, a bonus tone, it comes together with the work.There are no rules, I think , to get into a piece of art, it either triggers something or not, it's a matter of taste, and it's totally subjective.

About subjectivity, how does the public perceive your work ?

When I started exhibiting, people used to think Atek was a man in his fifties, and it was rather funny to see them find out that it was me, a young woman, I avoided to identify myself at the beginning as the world of arts is quite chauvinist, and more, a certain age gives you a stronger credibility.

And now you have accepted yourself ?

I am a 36 years old female creator and proud of it ! I don't have any particualr environment in which I like to create, I have moved a lot before, and I had to adapt to small and bigger places, drawing on walls, in the kitchen, on the floor, on my bed, but one thing that i always have near me is a notebook or a paer with a pen to note down my ideas or do quick sketches, afraid to forget, I guess,and so many things happen inside a head !

In an art school, there is plenty of space! An academic training is a plus because you get an artistic, pragmatic, plastic and aesthetic knowledge at the same time, it allows you to find your own style, to have an access to different techniques, and to meet master artist teachers. But there are a lot of self taught artists, art is about guts, in day after day learning, you have to live your own experiences, and if you are enthusiast and motivated, you stick to it, and you try to make it a career.

Now, can you show us an example of your work at the moment and tell us about your projects ?

At the moment, I alternate between small ultra detailed coloured works and large simple uncluttered lead pencil drawings. For example, in 'Supoditoire' Lead pencil Drawing on a 100 x 70 cm paper created in August 2008

I am involving both realistic figuration and body decay, the écorché in a situation of speech on a n endless bottom. The character is cut into parts, detailed, making a speech to noone, the support is a huge bottom, symbolizing the 'who cares ?' attitude.This work is about how hard it is for an artist to be heard, speech is vain but the will remains, I won't go further into theorizing the drawing, yet I use nudity, erotism and tragicomic or neo-romantic absurd images to give further weight to the picture in an atmosphere both dark and bright through the technique used, it is the artist's paradox.

Concerning news, I am preparing a collective exhibition with 'the portrait' as a theme in October at the Atelier du 6 Bis in Aix en Provence, A exhibition that will be more personal in November in the Alter Ego Gallery, also in Aix. And in September , issue n°7 of the philosophical paper « Le Grognard » will be published, in which I am contributing as an illustrator, and created the cover of that issue.

You may find my work and my latest news on my Blog http://annesophieatek.canalblog.com

And I want to thank you, Jeff, for this interview as well as for the interest you develop towards the artists of the new generation.

David Padworny

I found out about David Padworny's work through the Internet, and it wasn't long before I appreciated more and more his most expressive originality, the diversity of the themes and techniques he chooses, not to mention his warm and friendly personality. Being an art lover ever since he was a child, he presents generous works through which can be felt a total commitment of the artist. The textures and colours maintain a constant interest in his work, in a permanent movement from close detail to overall view from a distance, thus creating a remarkable cohesion within the diversity of his work. Particularly interested by portraits, which stimulate his appetite for matter and expression, this young american painter frrom Baltimore is sure one to add to the list of artists to watch closely. He sure did seduce me, but let's hear him ...

When and how did you start to draw or paint?

When I was about 6 years old and just starting school, I had a neighbor who worked as an illustrator of childrenʼs books.  He had a studio in his home, and I visited him there frequently because I enjoyed watching him work.  He illustrated the picture books of some of my favorite cartoons, and I thought it was magical the way he brought those familiar characters to life before my eyes.  By 2nd grade (around the age of 8) I won my first art contest for a series of drawings I had done of robots.  I continued to work passively on art until the age of 12, when I started to study under another well known illustrator for Highlights Magazine - Sidney Quinn.   It was around this time that I first began to work on large paintings.  As it was quite expensive to purchase the art supplies, it was around the age of 12 that I invested in my first airbrush and compressor and began selling works on commission.  I would buy the best materials available and still have many to this day.  Each Certificate of Authenticity that I send with a painting is signed with the same Winsor and Newton Series 7 Sable Brush that was purchased around this time.

What or who motivated you enough to make it your main activity?

Painting helps me better understand myself and the world around me.  I love the act of creating and find it very fulfilling.  Also at my more difficult times, I always turn to my artwork, and it really helps me work through and understand things.  When I look back on my life sometimes I regret how quickly time has passed but if I spent the time creating artwork I have a sense of substantial accomplishment.

As shortly as possible, how would you describe what you (are trying to) do?

I would like to represent both my time and place in the world and myself, which I conceive of as a product of nature and the nurture of my coincidental environment and upbringing.

What is the position of an artist in today's society according to you? For example, do you reckon to have any influence on the world?

The artist recognizes the value of his own unique perspective (as well as that of others) and creates art as means of communication, a way of representing a moment in history and offering a distinctive commentary on it.

Is it reasonable to be an artist?

I guess I would say it is reasonable to be anything.  Some things may be more difficult than others, and some things may even prove impossible.  But you will never know until you try.  I would rather give it my best shot than look back on my life from my deathbed and wonder, what if...?

Which other living artists do you like? Which artists of the past do you admire most?

I completely immerse myself in imagery.  I am surrounded with hundreds of art books; my walls are covered with copies of great works; and I have 2 digital frames that cycle through thousands of great paintings a day.  As a result, I am constantly inspired by so many great artists that to choose a few names is difficult.  Some that come to mind immediately are Chaim Soutine, Pablo Picasso, Frank Aurbach, and Edward Keinholz.

Which living artist you admire would you recommend to our readers ?

I guess I will go with Susan Rothenberg, as an living artist that I have a lot of respect for.
Here is an image:

http://www.art45.ca/oeuvres/rothenberg/rothenberg1_full.jpg

How would you like people to see your art? What reaction has most struck you ? Does it influence your painting?

When I work, I lose myself in a painting, and I try not to judge it from another's perspective.  The work expresses something I want to say, something I want to put out there and let people have whatever reaction they will.  I like that it produces a response; I don't worry if it is positive or negative.

What sort of environment do you like to work in?

One without any distractions.  When I am working I can go for hours and hours, but a single distraction can disrupt the flow entirely.  I often work all through the night for this reason.  If the paintings are going well, I will work from midnight until the sun comes up.

Is it necessary to have followed an academic training? Which qualities do you need to be a real artist?

I don't think you need an academic training, but it can help.   The critiques, in particular, can be valuable.

 Which work of your would you like to show our readers ?

 DAVID PADW0RNY, SANDSTORM PASSAGES, Oil Paint on (Gallery Wrap) Canvas,
16 x 20 x 3/4 in., signed on front and back.

What are you working on at the moment? Do you have projects? Where can readers see/buy your work?

There are thousands of images of my work, including detailed enlargements, showing brushstrokes and texture, posted on my website:

 www.padworny.com. 

If you are interested in a piece, please send an email to: David@Padworny.com . 

I frequently sell works and have paintings available across the entire spectrum of prices.

Do you have a message to give to people who have never been to any exhibition or museum?

I love the stimulating, social aspect of meeting other artists and art enthusiasts at gallery openings, but I also love the peacefulness of a museum.   I highly recommend both activities.

 If you were to address the readers (we hope numerous) of this blog, what would your message be?

Thank you for your interest in art, and thank you for taking an interest in my artwork!

Jerzy Ruszczynski

Jerzy Ruszczynski

I am ever so pleased to be able to introduce you to an artist that i particularly like, his work being so rich and original, I am jealous of those of you who are just about to discover him for the first time. Jerzy Ruszczynski is a Polish artist who started long ago an exploration of our mental universes through artworks that remind us of the best moments of the beginning of surreal paintings. To this intellectual quest, he adds a graphic and plastic work that is both expressive and generous. Each of his paintings is a small world in itself, in which it feels great to lose ourselves, and from which you come back transformed, vitalized, and more than ever ready to defend art, so precious, so essential. Please, let me invite you to discover him here :

When and How did you start to draw or paint ?

I began to paint when I was 8 years old .

What or Who motivated you enough to make it your main activity?

I began to paint from internal needs of creation. This main activity was surrounding my world. I wanted to understand the world through plastic transformation. My first teacher was the art of Rubens.

As shortly as possible, how would you describe what you ( are trying to ) do ?

I make my plan {schedule} by creating what surrounds me, I analyse this then across investigation , research} and psychoananalysis. I create a sketch and after that I penetrate in this by investigating my psyche and through this my reactions according to realities

What is the position of an artist in today's society according to you? For example, do you reckon to have any influence on the world ?

I think that nowadays, an artist should investigate one's own internal world according to surrounding realities, simultaneously to the investigation of his self and his own mind all the time asking himself and trying to answer.

Is it reasonable to be an artist ?

Yes I think so, that it is reasonable to be an artist because when creating we deliver knowledge about ourselves about Man in a lapse of time iwhich one spends showing this knowledge in one's own psyche in relation to realities.

Which other artists do you like ? Which artists of the past do you admire most?

I like every artist in which i notice a power of transfer( I have difficulty to quote here some concrete name) estimation of value is individual matter. If I must give examples then I would place in that category the painters of the Middle Ages, I like the compositions of H. Bosch, Durer, Rembrandt, I admire Spanish art , Goya, Velasquz, I like Delacroix, impressionists, Monahiu